दुर्गोपवीत-रचना तथा शिवामलङ्कारोत्सवः | The Making of the Durgopavīta and Pārvatī’s Auspicious Adornment Festival
सम्पूजितस्तदा शम्भुः प्रविष्टो यज्ञमण्डपम् । संस्तूयमानो बह्वीभिः स्तुतिभिः परमेश्वरः
sampūjitastadā śambhuḥ praviṣṭo yajñamaṇḍapam | saṃstūyamāno bahvībhiḥ stutibhiḥ parameśvaraḥ
ثم إنَّ شَمبهو، بعد أن أُقيمت له العبادة على وجهها، دخلَ مَندَبَ الذبيحة (يَجْنَ مَنْدَپَ). وكان الباراميشڤارا، الربّ الأسمى، يُسبَّح بكثيرٍ من التراتيل.
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
Type: stotra
Shakti Form: Umā
Role: nurturing
Offering: dhupa
It highlights that when Shiva is honored with proper worship and heartfelt stuti, the Supreme Pati becomes graciously present in the sacred space—showing bhakti as a direct means to divine nearness and auspiciousness.
Shiva is approached here as Parameśvara in a manifest, worship-receiving (saguṇa) mode—consistent with Purāṇic practice where ritual honor (pūjā) and hymns invite the Lord’s presence, as in Liṅga-pūjā and temple worship.
Perform pūjā with stotra-pāṭha (recitation of hymns) as a focused bhakti-sādhana; accompanying Shaiva markers like Tripuṇḍra (bhasma) and japa of the Pañcākṣarī “Om Namaḥ Śivāya” align the mind for reverent worship.