Uṣas (Dawn) revealing light and opening the rite, leading into Indra’s arrival for Soma
अध्वर्यो द्रावया त्वं सोममिन्द्रः पिपासति उपो नूनं युयुजे वृष्णा हरी आ च जगाम वृत्रहा
adhvaryo drāvayā tvaṃ somamindraḥ pipāsati upo nūnaṃ yuyuje vṛṣṇā harī ā ca jagāma vṛtrahā
adhvaryo1 drāvayā2 tvaṃ3 somam1 indraḥ2 pipāsati3 upo1 nūnaṃ2 yuyuje3 vṛṣṇā1 harī2 ā3 ca1 jagāma2 vṛtrahā3
يا أَدْهْفَرْيُو (Adhvaryu)، أَجْرِ السُّوما؛ فإِنَّ إِندرا يَظْمَأُ. والآنَ حَقًّا قَدْ نَيَّرَ فَرَسَيْهِ القَوِيَّيْنِ الأَشْقَرَيْنِ، وَقَدْ أَقْبَلَ Vṛtrahā، قاتِلُ فِرِتْرا.
adhvaryo | drāvaya | tvam | somam | indraḥ | pipāsati | upa | u | nūnam | yuyuje | vṛṣṇā | harī | ā | ca | jagāma | vṛtra-hā
Aindra (standard setting; specific tune not stated in input)
{ "prastava": "(stobha prelude; not supplied)", "udgitha": "adhvaryo drāvayā tvaṃ somam indraḥ pipāsati", "pratihara": "upo nūnaṃ yuyuje vṛṣṇā harī", "upadrava": "ā ca jagāma", "nidhana": "vṛtrahā", "structure_notes": "The nidhana ‘vṛtrahā’ functions as a powerful terminal stamp; in performance it often takes a firm, concluding cadence.", "singer_assignments": "Prastotṛ prelude; Udgātṛ main + after-song; Pratihartṛ response; chorus closes on vṛtrahā." }
{ "gloss_summary": "drāvaya is a direct injunction to the Adhvaryu to expedite Soma’s issuing for offering; Indra’s thirst motivates urgency; yoking the harī indicates readiness; vṛtrahā marks Indra’s decisive identity.", "ritual_interpretation": "A cue-verse synchronizing chant with pressing/straining and immediate offering to Indra.", "theological_insight": "The deity’s ‘arrival’ is not abstract: it is ritually enacted by correct action and correct sound, culminating in the Vṛtra-slayer’s presence.", "etymology_highlights": "drāvaya from √dru/√drav ‘to run/flow’; pipāsati from √pā ‘to drink’ (desiderative ‘thirst’); vṛtrahā as karmadhāraya ‘Vṛtra-slayer’." }