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Ramayana — Ayodhya Kanda, Sarga 33, Shloka 3

त्रयस्त्रिंशः सर्गः

Civic Lament and Rama’s Dutiful Approach to Daśaratha

ततः प्रासादहर्म्याणि विमानशिखराणि च।अधिरुह्य जनश्श्रीमानुदासीनो व्यलोकयत्।।।।

tataḥ prāsādaharmyāṇi vimānaśikharāṇi ca | adhiruhya janaḥ śrīmān udāsīno vyalokayat ||

ثم صعدَ أهلُ المدينةِ الميسورون إلى القصورِ والدورِ الشامخة، وإلى شُرَفِ المباني العاليةِ وذُرى طوابقها، وأخذوا ينظرون بقلوبٍ مثقلة، في حزنٍ صامتٍ كالمتجرّد.

ततःthen
ततः:
कालाधिकरण
TypeIndeclinable
Rootततः (अव्यय)
Formकालवाचक-अव्यय
प्रासादहर्म्याणिpalaces and mansions
प्रासादहर्म्याणि:
कर्म (object of adhiruhya)
TypeNoun
Rootप्रासाद + हर्म्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, बहुवचन; द्वन्द्वः (‘palaces and mansions’)
विमानशिखराणिthe tops/terraces of lofty buildings
विमानशिखराणि:
कर्म (object of adhiruhya)
TypeNoun
Rootविमान + शिखर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, बहुवचन; समासः षष्ठी-तत्पुरुषः (‘of vimānas/buildings’ + ‘tops/terraces’)
and
:
समुच्चय
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय
अधिरुह्यhaving climbed
अधिरुह्य:
पूर्वकाल-क्रिया
TypeVerb
Rootअधि-√रुह् (धातु) + ल्यप् (कृदन्त)
Formल्यबन्त-अव्ययकृदन्त (gerund); अर्थः ‘having climbed/ascended’
जनःthe people
जनः:
कर्ता
TypeNoun
Rootजन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; सामूहिकार्थे (collective)
श्रीमान्prosperous/splendid
श्रीमान्:
कर्ता-विशेषण
TypeAdjective
Rootश्रीमत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; जनः इति विशेष्यस्य विशेषणम्
उदासीनःsad/indifferent
उदासीनः:
कर्ता-विशेषण
TypeAdjective
Rootउदासीन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; जनः इति विशेष्यस्य विशेषणम्
व्यलोकयत्looked at/observed
व्यलोकयत्:
क्रिया
TypeVerb
Rootवि-√लोक् (धातु)
Formलङ् (Imperfect), परस्मैपदम्, प्रथमपुरुष, एकवचन

Such were the various words uttered by the people. Even after hearing them his (Rama's) mind remained unmoved (from his resolve).

A
Ayodhyā (implied)
R
Rāma (implied as the one being watched)

FAQs

The verse reflects collective moral concern: society grieves when dharma in the kingdom appears disturbed (Rāma’s altered public state), showing how public life in the epic is ethically charged.

As Rāma proceeds amid extraordinary tension in Ayodhyā, crowds cannot move freely in the packed streets and instead climb buildings to watch events unfold.

Indirectly, it emphasizes civic loyalty and attentiveness—citizens closely observe the righteous prince, emotionally invested in dharma’s outcome.