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Shloka 58

Narrative of the Śūdra’s Renunciation of Greed

with the Tulādhāra Greatness Prelude

स्त्रीणां च जन्मना वार्ता वसुयोगेन लभ्यते । भूतभव्यप्रवृत्तानां सुकृतं दुष्कृतं च यत्

strīṇāṃ ca janmanā vārtā vasuyogena labhyate | bhūtabhavyapravṛttānāṃ sukṛtaṃ duṣkṛtaṃ ca yat

وأما خبرُ مواليدِ النساء فيُنال بالاتصالِ بالـ«فَسُو»؛ وكذلك يُعرَف ما لأولئك الذين يمتدُّ مسارُهم إلى الماضي والمستقبل من برٍّ وإثم.

स्त्रीणांof women
स्त्रीणां:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6 विभक्ति), बहुवचन
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक निपात (conjunction)
जन्मनाby birth
जन्मना:
Karaṇa (करण)
TypeNoun
Rootजन्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3 विभक्ति), एकवचन
वार्ताnews; account
वार्ता:
Karta (कर्ता)
TypeNoun
Rootवार्ता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1 विभक्ति), एकवचन
वसु-योगेनthrough association with wealth
वसु-योगेन:
Karaṇa (करण)
TypeNoun
Rootवसु (प्रातिपदिक) + योग (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3 विभक्ति), एकवचन; समासः—वसोः योगः (connection with wealth)
लभ्यतेis obtained
लभ्यते:
Kriya (क्रिया)
TypeVerb
Root√लभ् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष, एकवचन; आत्मनेपद; कर्मणि प्रयोग (passive)
भूत-भव्य-प्रवृत्तानांof those engaged in past and future (events)
भूत-भव्य-प्रवृत्तानां:
Sambandha (सम्बन्ध/षष्ठी)
TypeAdjective
Rootभूत (प्रातिपदिक) + भव्य (प्रातिपदिक) + प्रवृत्त (कृदन्त; √वृत्/√वृत्त्)
Formपुंलिङ्ग, षष्ठी (6 विभक्ति), बहुवचन; समासः—भूतं च भव्यं च (द्वन्द्व) + प्रवृत्तानाम् (प्रवृत्त-शब्दस्य षष्ठी बहुवचन)
सुकृतंmerit; good deed
सुकृतं:
Karma (कर्म)
TypeNoun
Rootसु (उपसर्ग/अव्यय) + कृत (कृदन्त; √कृ धातु)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2 विभक्ति), एकवचन; क्त-प्रत्ययान्त (past participle used as noun)
दुष्कृतंdemerit; evil deed
दुष्कृतं:
Karma (कर्म)
TypeNoun
Rootदुस् (उपसर्ग/अव्यय) + कृत (कृदन्त; √कृ धातु)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2 विभक्ति), एकवचन; क्त-प्रत्ययान्त (past participle used as noun)
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक निपात (conjunction)
यत्whatever; that which
यत्:
Sambandha (सम्बन्ध)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1/2 विभक्ति), एकवचन; सम्बन्धक/यदर्थक सर्वनाम (relative pronoun)

Unspecified (context-dependent within Adhyaya 53; likely a narrator-sage in dialogue tradition)

Concept: Birth narratives and destinies are intertwined with cosmic agencies (like the Vasus) and with the continuum of merit and demerit across past and future—affirming karmic causality and providential order.

Application: Treat life events as part of a longer moral continuum; cultivate sukṛta through truthfulness, compassion, and devotion; avoid fatalism by choosing dharmic action now.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: celestial_realm

Visual Art Cues: {"scene_description":"A celestial court scene shows the eight Vasus as luminous guardians holding symbolic emblems—fire, wind, jewels, and waters—while a scroll of time unfurls, depicting women’s birth-stories as threads in a vast tapestry. Below, human lives appear as small vignettes—acts of merit and demerit glowing in contrasting hues across past and future.","primary_figures":["the eight Vasus","personified Time (Kāla) or a cosmic scribe (symbolic)","human figures in vignette scenes"],"setting":"celestial hall with cloud-thrones, starry canopy, floating scrolls and karmic ledger imagery","lighting_mood":"divine radiance","color_palette":["pearl white","sapphire blue","aurora violet","gold leaf","emerald green"],"tanjore_prompt":"Tanjore painting style: the eight Vasus enthroned in a celestial mandapa, each with emblematic attributes, a golden karmic scroll unfurling with miniature life-scenes; heavy gold leaf halos and architectural ornament, rich jewel tones, gem-studded crowns, symmetrical sacred composition.","pahari_prompt":"Pahari miniature style: ethereal sky-palace with delicate clouds, refined Vasus with soft expressions, a lyrical scroll of time showing tiny narrative panels of births and deeds; cool blues/violets, fine brushwork, poetic cosmology.","kerala_mural_prompt":"Kerala mural style: iconic Vasus in a temple-wall panel arrangement, bold outlines, stylized celestial motifs, karmic scroll rendered as patterned bands; traditional pigments, large expressive eyes, rhythmic symmetry.","pichwai_prompt":"Pichwai cloth painting style: cosmic tapestry composition—central radiant mandala with Vasus around, border of lotus and star motifs, miniature vignettes of sukṛta/duṣkṛta; deep blue ground with gold and floral intricacy, devotional-cosmic aesthetic."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","gentle chime-like bells","subtle wind hush","long pauses for contemplation"]}

Sandhi Resolution Notes: भूतभव्यप्रवृत्तानां = भूत + भव्य + प्रवृत्तानां (द्वन्द्वपूर्वक); सुकृतं/दुष्कृतं = सु/दुस् + कृत (उपसर्गपूर्वक)।

V
Vasus

FAQs

The Vasus are a group of eight Vedic deities associated with elemental and cosmic functions; here they are invoked as a means by which certain knowledge (such as birth-accounts) is obtained.

It underscores karmic causality: beings’ past and future trajectories are tied to sukṛta (merit) and duṣkṛta (demerit), implying moral accountability across time.

Not explicitly; it is more aligned with cosmological and karmic discourse (Sṛṣṭikhaṇḍa themes), though such passages often serve as groundwork for later devotional and dharmic instruction.