Shloka 134
The Five Great Sacrifices: Supremacy of Honoring Parents, Pativrata Dharma, Truthfulness, and Śrāddha
एतस्य सदृशो लोके न भूतो न भविष्यति । नास्तीति सांप्रतं पृथ्व्यां कामलोभाजितः पुमान्
etasya sadṛśo loke na bhūto na bhaviṣyati | nāstīti sāṃprataṃ pṛthvyāṃ kāmalobhājitaḥ pumān
في هذا العالم لم يكن له نظير، ولن يكون. حقًّا، في حاضر الأرض لا يوجد رجلٌ قد غُلِب بمثل هذا الغَلَبة بالشهوة والطمع.
Unspecified (context required within Adhyaya 50 dialogue)
Concept: True greatness is measured by conquest of desire and greed; such a person becomes unparalleled in the world.
Application: Audit daily impulses—spending, craving, status-seeking; adopt small disciplines (regulated consumption, truthful speech, charity) to weaken lobha and kāma.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A solitary noble figure stands calm amid a swirl of tempting visions—gold, sensual pleasures, and power—yet the temptations dissolve like mist around his steady gaze. Above him, a subtle celestial inscription-like aura proclaims his unmatched stature, while the earth below appears quiet and orderly, reflecting his inner mastery.","primary_figures":["Unmatched virtuous man/hero (unspecified)","Personifications of Kāma and Lobha (symbolic)","Sages/devas as faint witnesses (optional)"],"setting":"Symbolic landscape: a quiet plain with a faint cosmic backdrop, temptations appearing as translucent apparitions","lighting_mood":"serene with soft divine glow","color_palette":["moonlit silver","saffron glow","deep teal","antique gold","smoke violet"],"tanjore_prompt":"Tanjore painting style: central calm figure with gold leaf halo, temptations depicted as ornate but fading motifs—coins, jeweled vessels, sensual silhouettes—rendered with diminishing opacity; rich maroon and green textiles, gem-studded ornaments on the symbolic Kāma/Lobha figures, heavy gold border emphasizing moral triumph.","pahari_prompt":"Pahari miniature style: refined figure in simple attire, temptations painted as delicate translucent vignettes around him; cool teal and silver night tones, minimal landscape with a lyrical sky; expressive yet restrained faces, emphasizing inner peace over spectacle.","kerala_mural_prompt":"Kerala mural style: bold outlines, central figure in composed stance, Kāma and Lobha as stylized attendants with exaggerated ornaments and grasping hands; warm yellow-red-green palette; the virtuous figure’s calm eyes and upright posture dominate, framed by traditional mural borders.","pichwai_prompt":"Pichwai cloth painting style: central figure framed by ornate floral borders; temptations shown as patterned motifs (gold coins, lotus of desire) dissolving into the border; deep blue ground with gold highlights, symmetrical composition, devotional symbolism of restraint and purity."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["silence","single temple bell at intervals","soft tanpura drone","gentle wind","distant conch (very faint)"]}
Sandhi Resolution Notes: nāstīti = na + asti + iti; kāmalobhājitaḥ = kāma-lobha-ājitaḥ (ā + jitaḥ); verse implies: 'etasya sadṛśaḥ ... na bhūtaḥ na bhaviṣyati'.
FAQs
It highlights the rare excellence of a person who is not overpowered by desire (kāma) and greed (lobha), implying that self-mastery is exceptional and worthy of praise.
Purāṇas commonly treat kāma and lobha as major inner enemies that lead to downfall; this verse reinforces the ideal of restraint and moral steadiness as a mark of greatness.
The phrasing “none has been, none will be” functions primarily as emphatic praise, underscoring an ethical point: genuine freedom from desire and greed is exceedingly rare.