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Shloka 120

The Five Great Sacrifices: Supremacy of Honoring Parents, Pativrata Dharma, Truthfulness, and Śrāddha

स्त्रीपुंसोरेकसंसर्गात्शांतता तु कथं भवेत् । तस्यां यस्याभिलाषोस्ति न पृष्टस्स वदेद्युवा

strīpuṃsorekasaṃsargātśāṃtatā tu kathaṃ bhavet | tasyāṃ yasyābhilāṣosti na pṛṣṭassa vadedyuvā

من المعاشرة الوثيقة بين الرجل والمرأة، كيف يمكن أن تنشأ السكينة؟ الشاب الذي يضمر الرغبة فيها سيتحدث حتى لو لم يُسأل.

स्त्रीof a woman
स्त्री:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th), एकवचन (समासपूर्वपद-रूप)
पुंसोःof a man
पुंसोः:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootपुंस् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन (समासपूर्वपद-रूप)
एकसंसर्गात्from a single association/contact
एकसंसर्गात्:
Apadana (अपादान)
TypeNoun
Rootएक (प्रातिपदिक) + संसर्ग (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/अपादान), एकवचन; षष्ठी/कर्मधारय-भावेन तत्पुरुषः (एकः संसर्गः)
शान्तताcalmness/peace
शान्तता:
Karta (कर्ता)
TypeNoun
Rootशान्तता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन
तुbut/indeed
तु:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय, अवधान/विरोधार्थक-निपात (but/indeed)
कथम्how
कथम्:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootकथम् (अव्यय)
Formप्रश्नार्थक-अव्यय (interrogative adverb)
भवेत्could be/should occur
भवेत्:
Kriya (क्रिया)
TypeVerb
Rootभू (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपदी
तस्याम्in her
तस्याम्:
Adhikarana (अधिकरण)
TypeNoun
Rootतद् (प्रातिपदिक, सर्वनाम)
Formस्त्रीलिङ्ग, सप्तमी (7th/अधिकरण), एकवचन
यस्यwhose
यस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootयद् (प्रातिपदिक, सर्वनाम)
Formपुंलिङ्ग, षष्ठी (6th), एकवचन; सम्बन्ध-प्रयोग (whose)
अभिलाषःdesire
अभिलाषः:
Karta (कर्ता)
TypeNoun
Rootअभिलाष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
अस्तिis/exists
अस्ति:
Kriya (क्रिया)
TypeVerb
Rootअस् (धातु)
Formलट् (Present), प्रथमपुरुष, एकवचन; परस्मैपदी
not
:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootन (अव्यय)
Formनिषेध-निपात (negation)
पृष्टःasked (when asked)
पृष्टः:
Karta (कर्ता)
TypeVerb
Rootपृच्छ् (धातु) → पृष्ट (कृदन्त, क्त)
Formभूतकर्मणि कृदन्त (क्त/PPP), पुंलिङ्ग, प्रथमा, एकवचन; कर्मणि-प्रयोग (having been asked)
सःhe
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (प्रातिपदिक, सर्वनाम)
Formपुंलिङ्ग, प्रथमा, एकवचन
वदेत्should speak
वदेत्:
Kriya (क्रिया)
TypeVerb
Rootवद् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपदी
युवाa young man
युवा:
Karta (कर्ता)
TypeNoun
Rootयुवन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विधेय-विशेषण (as a young man)

Unspecified (narrative voice not identifiable from the single verse alone)

Concept: Unrestrained desire born of close association disrupts tranquillity; self-control and appropriate speech are marks of steadiness.

Application: Maintain mindful boundaries in situations that inflame craving; pause before speaking; cultivate sattvic company and habits that protect mental peace.

Primary Rasa: shanta

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A quiet interior courtyard where a young man, eyes restless, leans forward to speak impulsively though no one has addressed him. In the background, a lotus pond reflects a still sky, contrasting the agitation of desire with the ideal of inner peace.","primary_figures":["young man (yuvā)","woman (yosit)","silent witness/elder (optional)"],"setting":"domestic courtyard with a small lotus pond, carved pillars, and a threshold suggesting social boundaries","lighting_mood":"forest dappled","color_palette":["muted sandalwood","lotus pink","deep indigo","soft ivory","antique gold"],"tanjore_prompt":"Tanjore painting style: a South Indian courtyard scene where a restless young man speaks unasked to a poised woman; lotus pond and carved pillars behind; gold leaf highlights on jewelry and architectural borders; rich reds and greens, gem-studded ornaments, traditional iconographic symmetry emphasizing the contrast between agitation and śānti.","pahari_prompt":"Pahari miniature style: delicate brushwork showing a quiet courtyard with a lotus pond; a young man leaning forward, lips parted mid-speech, the woman calm and slightly turned away; cool palette with lyrical naturalism, refined faces, soft textiles, and distant hills suggesting inner distance and restraint.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; expressive wide eyes of the youth showing desire; the woman composed; stylized lotus pond and temple-like pillars; dominant red/yellow/green palette with rhythmic ornamental borders conveying moral instruction.","pichwai_prompt":"Pichwai cloth painting style: symbolic composition with lotus motifs and floral borders; the youth’s impulsive speech contrasted with a serene lotus pond; deep blues and gold; peacocks near the water as emblems of restless beauty; intricate patterns framing the ethical message."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["soft temple bells","silence","distant birds"]}

Sandhi Resolution Notes: स्त्रीपुंसोरेकसंसर्गात् = स्त्री + पुंसोः + एकसंसर्गात्; संसर्गात्शांतता = संसर्गात् + शान्तता; यस्याभिलाषोस्ति = यस्य + अभिलाषः + अस्ति; पृष्टस्स = पृष्टः + सः; वदेद्युवा = वदेत् + युवा.

FAQs

It warns that strong attachment and desire disturb inner peace, and that desire makes a person impulsive—speaking even without being invited.

It specifically critiques desire-driven, exclusive attachment as an obstacle to tranquillity, rather than ordinary respectful social interaction.

Cultivate restraint and mindfulness in relationships; where desire dominates, speech and behavior tend to become uncontrolled and peace is lost.