Shloka 125
The Tārakāmaya War: Divine Mustering, Māyā Countermeasures, Aurva Fire, and Viṣṇu’s Slaying of Kālanemi
त्वं मतः प्रतिवीर्यश्च ज्योतिषामपि चेश्वरः । त्वन्मयान्सर्वलोकेषु रसान्वेदविदो विदुः
tvaṃ mataḥ prativīryaśca jyotiṣāmapi ceśvaraḥ | tvanmayānsarvalokeṣu rasānvedavido viduḥ
أنت تُعَدّ القوّة المُعادِلة، بل أنت حقّاً ربّ الأنوار أيضاً. ويعلم عارفو الفيدا أنّ الجواهر والطعوم (رَسا) في جميع العوالم مشبعة بك ومن طبيعتك عينها.
Unspecified (context not provided; likely a speaker praising a supreme deity in dialogue)
Concept: The praised lord is the inner essence of all ‘rasas’ across worlds and the ruler even of luminaries—implying pervasive divinity recognized by Veda-knowers.
Application: See sacred presence in every experience—beauty, taste, emotion—using gratitude and restraint; let daily perceptions become remembrance (smaraṇa).
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A vast cosmic tableau: the Moon, Sun, and constellations orbit within a translucent mandala, while an unseen supreme presence permeates them like luminous nectar. Veda-knowing sages stand at the edge of the universe, hands raised in recognition that every rasa—sweetness, fragrance, emotion—shimmers as the Lord’s own nature.","primary_figures":["Supreme Lord as all-pervading radiance (Vishnu implied)","Soma (Moon)","Sūrya (Sun)","Veda-knowing sages (ṛṣis)"],"setting":"Cosmic expanse with a mandala of luminaries and subtle lotus geometry","lighting_mood":"divine radiance","color_palette":["radiant gold","cosmic violet","midnight blue","moonstone white","saffron"],"tanjore_prompt":"Tanjore painting style: Vishnu implied as a central radiant aura within a lotus-mandala, surrounded by Sun and Moon personified, sages at the base offering reverence; heavy gold leaf for the mandala and halos, rich reds/greens for garments, gem-like ornamentation, ornate arch with lotus and conch motifs, devotional iconographic symmetry.","pahari_prompt":"Pahari miniature style: a serene cosmic mandala with delicate stars, personified Sun and Moon, sages in quiet awe; cool blues and violets with soft gold highlights, refined faces, lyrical composition with subtle lotus geometry and airy space.","kerala_mural_prompt":"Kerala mural style: bold outlines forming a circular cosmic diagram, Sun and Moon with stylized eyes, central all-pervading radiance as Vishnu’s presence; natural pigments with dominant yellows/reds/greens balanced by deep blue, temple mural framing and ornamental borders.","pichwai_prompt":"Pichwai cloth painting style: central lotus-mandala with repeating floral motifs, Sun and Moon as decorative yet sacred figures, sages along the lower register; deep indigo cloth ground, intricate gold detailing, ornate floral borders, devotional symmetry reminiscent of Nathdwara aesthetics (even if Vishnu is implied rather than Krishna)."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","long silence gaps","tanpura drone","distant conch"]}
Sandhi Resolution Notes: ज्योतिषामपि = ज्योतिषाम् + अपि; चेश्वरः = च + ईश्वरः; त्वन्मयान्सर्वलोकेषु = त्वन्मयान् + सर्वलोकेषु; रसान्वेदविदो = रसान् + वेदविदः.
FAQs
It portrays the praised deity as the governing lord of the celestial lights and as the underlying power present throughout all worlds.
It expresses immanence: all fundamental essences—whether physical “juices” or subtle “flavors/qualities”—are understood as pervaded by, and ultimately grounded in, the divine.
It appeals to Vedic authority, stating that those trained in Vedic insight recognize this all-pervading divine nature as a doctrinal truth.