The Glory of the Divine Name and the Doctrine of Name-Offenses
Nāma-aparādha
दद्याद्यो पुस्तकं भक्त्या सगच्छेद्धरिमंदिरम् । कुर्वंति विधिनानेन संपूर्णं पुस्तकं च ये । तेषां नामानि लिंपेत चित्रगुप्तोऽर्चनाद्द्विज
dadyādyo pustakaṃ bhaktyā sagaccheddharimaṃdiram | kurvaṃti vidhinānena saṃpūrṇaṃ pustakaṃ ca ye | teṣāṃ nāmāni liṃpeta citragupto'rcanāddvija
من يتصدّق بكتابٍ بإخلاصٍ يبلغ معبد هاري ومقامه. وأمّا الذين، أيها المولودُ مرتين، يصنعون كتابًا كاملًا ويقدّمونه وفق هذا الطقس المقرّر، فإن تشتراغوبتا يدوّن أسماءهم بسبب ذلك العمل التعبّدي.
Unspecified narrator (contextual speaker not provided in the input excerpt)
Concept: Vidya-dāna (donation of sacred knowledge) offered with bhakti becomes arcana and yields Hari-prāpti; righteous acts are karmically audited and remembered.
Application: Support preservation/printing/teaching of dharma texts; donate books to temples, schools, and sādhus with humility; keep a personal practice of sharing knowledge without pride.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: temple
Visual Art Cues: {"scene_description":"A learned donor, hands joined, offers a freshly bound palm-leaf manuscript wrapped in red cloth to a serene Vaiṣṇava priest before a garlanded image of Hari. In a subtle celestial overlay, Citragupta sits with a golden stylus, inscribing the donor’s name in a luminous ledger as temple lamps flicker and conch echoes linger.","primary_figures":["Vishnu (Hari)","a Vaiṣṇava priest/ācārya","devotee donor","Citragupta"],"setting":"Temple mandapa with brass lamps, tulasi courtyard hinted at the threshold, manuscript stand, and a faint celestial scribe-chamber superimposed behind.","lighting_mood":"temple lamp-lit with divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","vermillion red","deep emerald"],"tanjore_prompt":"Tanjore painting style: Vishnu enthroned in a South Indian sanctum with towering arch, gold leaf halo and prabhavali, gem-studded ornaments; a devotee offers a red-wrapped palm-leaf manuscript on a brass plate; Citragupta appears in a small upper panel writing in a gilded ledger; rich reds/greens, heavy gold embossing, intricate temple lamp details.","pahari_prompt":"Pahari miniature style: a quiet temple courtyard with delicate pillars and flowering creepers; a devotee presents a manuscript to a gentle priest before a blue-hued Hari; in the sky-like margin, Citragupta writes names in fine script; cool refined palette, lyrical naturalism, soft facial features, thin precise linework.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Vishnu with large expressive eyes and ornate crown, lamp-lit mandapa; devotee holding palm-leaf book bundle; Citragupta in a side vignette with stylus and palm-leaf register; dominant reds/yellows/greens with rhythmic decorative borders.","pichwai_prompt":"Pichwai cloth painting style: Krishna-Vishnu as Hari in a shrine framed by lotus and floral borders; devotees offering a manuscript near a tulasi vrindavan; peacocks and cows in the margins; deep indigo background with gold detailing, intricate textile-like patterning and temple festoon motifs."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","soft conch shell","murmured mantra","oil-lamp crackle","gentle crowd hush"]}
Sandhi Resolution Notes: dadyādyo → dadyāt yaḥ; sagaccheddharimaṃdiram → sa gacchet hari-mandiram; vidhinānena → vidhinā anena; citragupto'rcanāddvija → citraguptaḥ arcanāt dvija (visarga + a → o; arcanāt + dvija → arcanād dvija).
It praises donating a book (pustaka-dāna)—especially a complete, properly prepared book—done with devotion as a meritorious act akin to worship.
The verse states that the donor attains Hari’s abode/temple (harimandira), indicating a Vaishnava-oriented heavenly or salvific reward.
Citragupta, the cosmic record-keeper associated with Yama, is said to inscribe the names of such donors, symbolizing that the merit of this worshipful charity is formally recorded.