Shloka 14
The Glory of the Mother-and-Father Tīrtha
Within the Vena Episode
पिप्पल उवाच । त्वयि वश्यं जगत्सर्वमिति शुश्रुम भूतले । तन्मे त्वं कौतुकं विप्र दर्शयस्व प्रयत्नतः
pippala uvāca | tvayi vaśyaṃ jagatsarvamiti śuśruma bhūtale | tanme tvaṃ kautukaṃ vipra darśayasva prayatnataḥ
قال بيبّالا: «لقد سمعنا على الأرض أن العالم كلّه خاضع لسلطانك. فإذن، يا أيها البرهمن، أرِني تلك القدرة العجيبة بعناية وبكلّ جهد.»
Pippala
Concept: Faith begins as śruti (heard report) but matures into darśana (direct seeing) when the seeker earnestly requests revelation.
Application: Transform second-hand belief into lived practice: pray specifically, ask for guidance, and be ready for the responsibility that comes with witnessing power.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: city
Visual Art Cues: {"scene_description":"Pippala stands with earnest intensity, palms slightly raised, eyes fixed on the brāhmaṇa before him, asking to witness the famed power that governs the world. The air seems to thicken with anticipation—leaves pause mid-rustle, and the horizon glows as if a hidden cosmic mechanism is about to be revealed.","primary_figures":["Pippala","Sukarmā"],"setting":"Forest-edge āśrama on earth with a clear view of sky and distant river plain, suggesting the whole world as the stage","lighting_mood":"divine radiance","color_palette":["storm-cloud violet","sunrise gold","sandalwood beige","teal green","crimson"],"tanjore_prompt":"Tanjore painting style: Pippala in dynamic posture requesting a miracle, Sukarmā calm and centered, gold-leaf radiance gathering in the sky, ornate borders with chakra and lotus motifs, rich crimson and emerald textiles, embossed gold on halos and the ‘paused’ nature elements (leaves, birds) to suggest suspended time.","pahari_prompt":"Pahari miniature style: dramatic yet elegant forest clearing, Pippala’s expressive gesture, Sukarmā composed, subtle cosmic glow on the horizon, delicate trees and birds rendered with fine brushwork, cool palette with a warm golden focal light, lyrical tension in the landscape.","kerala_mural_prompt":"Kerala mural style: bold outlines, Pippala’s questioning stance emphasized, Sukarmā as steady axis, stylized nature forms, a circular aura motif expanding behind them, red-yellow-green pigments with deep blue shadows, temple-wall narrative clarity.","pichwai_prompt":"Pichwai cloth painting style: central dialogue framed by ornate floral borders, the sky filled with patterned radiance like a textile mandala, lotus motifs symbolizing unfolding revelation, deep indigo and gold, symmetrical composition with narrative flourishes (peacocks frozen mid-step, vines curling into cosmic spirals)."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["wind rising then pausing","forest birds suddenly quiet","single bell strike","low drone building suspense"]}
Sandhi Resolution Notes: जगत्सर्वम् इति → जगत् सर्वम् इति; तन्मे → तत् मे; दर्शयस्व (दृश् + णिच् + लोट्, आत्मनेपद).
FAQs
Pippala is speaking, requesting a brāhmaṇa to demonstrate the reputed “wonder” or proof of the claim that the whole world is under his influence or control.
The line reflects the Purāṇic theme that spiritual attainment (tapas, mantra, or divine favor) can confer extraordinary influence; however, the verse itself presents it as a reported claim that is being tested through demonstration.
The request emphasizes verification and discernment: extraordinary claims invite careful examination (“prayatnataḥ”), implying that spiritual authority should be shown through responsible, deliberate conduct rather than mere reputation.