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Shloka 61

Marks of the Debt-Bound/Enemy Son, Filial Dharma, Detachment, and the Durvāsā–Dharma Episode

सत्यं ब्राह्मणरूपेण ब्रह्मचर्यं तथैव च । तपस्तु द्विजवर्योस्ति दमः प्राज्ञो द्विजोत्तमः

satyaṃ brāhmaṇarūpeṇa brahmacaryaṃ tathaiva ca | tapastu dvijavaryosti damaḥ prājño dvijottamaḥ

الصدق هو عين صورة البراهمانا؛ وكذلك انضباط البراهماتشاريا. والنبيل من «مرّتين مولود» يُعرَف بالتقشّف (تابس)، وأمّا الحكيم، أفضل الدفيجا، فيتميّز بضبط النفس (داما).

सत्यम्truth
सत्यम्:
Karta (Subject/कर्ता)
TypeNoun
Rootसत्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; भाववाचक-नाम (abstract noun)
ब्राह्मणरूपेणin the form of a brāhmaṇa
ब्राह्मणरूपेण:
Karana/Instrument (करण)
TypeNoun
Rootब्राह्मण (प्रातिपदिक) + रूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/करण), एकवचन; षष्ठी-तत्पुरुषः (ब्राह्मणस्य रूपम्)
ब्रह्मचर्यम्celibacy; brahmacarya
ब्रह्मचर्यम्:
Karta (Subject/कर्ता)
TypeNoun
Rootब्रह्म (प्रातिपदिक) + चर्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; तत्पुरुषः (ब्रह्मणि चर्या)
तथाthus; likewise
तथा:
Sambandha/Modifier (सम्बन्ध/विशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
एवindeed; just
एव:
Sambandha/Modifier (सम्बन्ध/विशेषण)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; निपात (particle, emphasis)
and
:
Sambandha/Connector (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)
तपःausterity
तपः:
Karta (Subject/कर्ता)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st), एकवचन
तुbut; and indeed
तु:
Sambandha/Discourse (सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (adversative/contrast particle)
द्विजवर्यःthe excellent twice-born
द्विजवर्यः:
Karta (Subject/कर्ता)
TypeNoun
Rootद्विज (प्रातिपदिक) + वर्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; कर्मधारयः (वर्यः द्विजः)
अस्तिis
अस्ति:
Kriya (Verb/क्रिया)
TypeVerb
Rootअस् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
दमःself-control
दमः:
Karta (Subject/कर्ता)
TypeNoun
Rootदम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
प्राज्ञःwise
प्राज्ञः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootप्राज्ञ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; विशेषण
द्विजोत्तमःO best of the twice-born
द्विजोत्तमः:
Sambodhana/Address (सम्बोधन)
TypeNoun
Rootद्विज (प्रातिपदिक) + उत्तम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; कर्मधारयः (उत्तमः द्विजः)

Unspecified (context-dependent; not identifiable from the single verse alone)

Concept: Brāhmaṇa-hood is defined by inner virtues—truthfulness, celibate discipline, austerity, and self-control—rather than birth alone.

Application: Practice ‘satya with hita’: truthful speech that is beneficial; adopt one restraint (digital/sensory fasting, regulated diet, or brahmacarya/continence) to strengthen dama.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A dignified brāhmaṇa figure stands as a living emblem of truth—his mouth emits a faint golden script of ‘satya’, while a cool white aura of brahmacarya encircles him like a protective ring. Behind him, a small sacred fire glows, symbolizing tapas, and a calm hand gesture signifies dama.","primary_figures":["Personified Satya","Personified Brahmacarya","Brāhmaṇa sage (archetype)"],"setting":"Hermitage courtyard with a yajña-kuṇḍa, palm-leaf manuscripts, and a simple water pot; minimalism emphasizes inner virtue.","lighting_mood":"temple lamp-lit","color_palette":["ivory white","saffron","copper flame-orange","emerald green","midnight blue"],"tanjore_prompt":"Tanjore painting style: archetypal brāhmaṇa-sage embodying satya and brahmacarya, thick gold leaf halo, rich red-green drapery, stylized yajña fire with embossed gold flames, palm-leaf manuscripts and kamaṇḍalu, ornate border patterns, jewel-like highlights on sacred thread and ornaments.","pahari_prompt":"Pahari miniature style: refined sage with gentle expression, delicate linework, cool blues and greens, small yajña fire, subtle golden script motifs floating near the lips to indicate satya, quiet naturalistic hermitage details.","kerala_mural_prompt":"Kerala mural style: bold outlines, large eyes, sage in saffron/white, stylized fire altar, symbolic rings of white aura for brahmacarya, flat yet vibrant red-yellow-green palette with traditional mural borders.","pichwai_prompt":"Pichwai cloth painting style: central sage framed by lotus borders, deep blue ground, small repeated motifs of sacred thread and fire altars, symmetrical floral patterns, gold accents highlighting ‘satya’ as decorative calligraphy."}

Audio Atmosphere: {"recitation_mood":"authoritative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["steady tanpura drone","soft fire crackle","single bell at cadence","quiet assembly murmur"]}

Sandhi Resolution Notes: द्विजवर्योस्ति = द्विजवर्यः + अस्ति; तपस्तु = तपः + तु; तथैव = तथा + एव; ब्राह्मणरूपेण/ब्रह्मचर्यम् समासरूपेण।

FAQs

It highlights satya (truthfulness), brahmacarya (chaste discipline), tapas (austerity), and dama (self-control) as defining virtues.

It identifies truthfulness as the essential defining nature—what makes one truly brāhmaṇa-like in conduct.

Spiritual status is grounded in lived discipline—truth, restraint, austerity, and self-mastery—rather than mere birth or outward identity.