The Description of Kāśī (Kāśī-māhātmya): Avimukta, Kapālamocana, and Śiva’s Purification
अघहर रघुनाथ यादवेश प्रियभूदेव परात्परामरेज्य । हलधर दुरितापह प्रणम्य त्रिगुणव्याप्त जगत्त्रिकालदक्ष ॥ ४४ ॥
aghahara raghunātha yādaveśa priyabhūdeva parātparāmarejya | haladhara duritāpaha praṇamya triguṇavyāpta jagattrikāladakṣa || 44 ||
أنحني لك—يا مُزيلَ الإثم؛ يا راغهوناثا، سيّدَ سلالة راغهو؛ يا ملكَ اليادافا؛ يا محبوبَ الأرض والآلهة؛ يا أسمى من كلّ أسمى، المستحقَّ لعبادة الخالدين؛ يا حاملَ المحراث؛ يا دافعَ الشقاء—يا من يسري في الغونات الثلاث، والماهرَ في تدبير الكون عبر الأزمنة الثلاثة.
Narada (stotra-style invocation within the Uttara-Bhaga narrative)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It functions as a concentrated Vishnu-stuti: by invoking Hari through Rama–Krishna–Balarama epithets, the verse emphasizes pāpa-kṣaya (destruction of sin) and refuge in the Lord who pervades all guṇas and governs time itself.
Bhakti here is practiced as nāma-smaraṇa and praṇāma—reverent remembrance and surrender—trusting that the Lord who is “duritāpaha” removes inner and outer obstacles for the devotee.
No specific Vedāṅga technique is taught; the practical takeaway is stotra-recitation (mantra-like praise) as a devotional discipline, aligned with Purāṇic prayoga for pāpa-śamana and auspiciousness.