The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
आह्लादिनीति च प्रोक्ता तथा समोहिनीति च । स्तंभिनीजंभिनीचैव वशंकर्यथ रंजिनी ॥ ५४ ॥
āhlādinīti ca proktā tathā samohinīti ca | staṃbhinījaṃbhinīcaiva vaśaṃkaryatha raṃjinī || 54 ||
وتُوصَف بأنها آهلادِني (Āhlādinī)—قوة إسباغ البهجة، وكذلك سَموهِني (Samohinī)—قوة الإيهام والإضلال. وكذلك سْتَمْبِهيني (Stambhinī)—قوة التجميد، وجَمْبِهيني (Jambhinī)—قوة الشلل أو السحق، وفَشَمْكَري (Vaśaṃkarī)—قوة الإخضاع، ثم رَمْجِني (Raṃjinī)—قوة الإفتتان.
Sanatkumara (teaching Narada in a Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
The verse catalogs specific mantra-śaktis (functional spiritual powers) recognized in technical/ritual disciplines, indicating that sacred sound is analyzed not only devotionally but also by its operational effects in prescribed rites.
Indirectly: by distinguishing technical mantra-effects from ultimate spiritual aim, it implies that such powers are ancillary; the Narada Purana repeatedly frames higher devotion and dharma as the guiding purpose behind any ritual knowledge.
A mantra-śāstra style taxonomy of operative forces—āhlādinī, samohinī, stambhinī, jaṃbhinī, vaśaṃkarī, raṃjinī—useful for understanding how rituals and mantras are classified by intended effect within technical traditions.