The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
सिंहस्था व्याघ्रगा चैव गजाश्वगरुडस्थिता । भौमाप्या तैजसीवायुरूपिणी नाभसा तथा ॥ १५२ ॥
siṃhasthā vyāghragā caiva gajāśvagaruḍasthitā | bhaumāpyā taijasīvāyurūpiṇī nābhasā tathā || 152 ||
هي جالسةٌ على أسد؛ وتمضي على نمر؛ وتركب الفيلَ والحصانَ وغارودا. وتتخذ صورَ الأرض والماء، وصورَ النار والريح، وكذلك صورةَ الأثير/الفضاء.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It portrays a single divine power as all-pervasive—manifesting through multiple vāhanas and through the five great elements—teaching contemplative worship (upāsanā) that sees the Deity in all of creation.
Bhakti is strengthened by recognizing the Lord’s (and divine śakti’s) presence everywhere: in beings, symbols like vāhanas, and in the pañca-bhūtas—turning ordinary experience into remembrance and reverence.
It aligns with technical elemental classification (pañca-bhūta) used in ritual planning and contemplative practice—useful for jyotiṣa-style elemental correspondences and for structuring dhyāna and nyāsa in worship.