The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
गणेशग्रहनक्षत्रयोगिनीराशिरूपिणीम् । देवीं मंत्रमयीं नौमि मातृकापीठरूपिणीम् ॥ १० ॥
gaṇeśagrahanakṣatrayoginīrāśirūpiṇīm | devīṃ maṃtramayīṃ naumi mātṛkāpīṭharūpiṇīm || 10 ||
أنحني للإلهة التي تتجسّد في غانيشا، والكواكب، والمنازل القمرية، واليوغينيات، وعلامات البروج. وأبتهل إلى الديفي التي هي مانترا بذاتها، المتجلّية كـ«بيثا» مقدّس للماتريكات.
Narada (in praise/description within the Vedanga-technical context, especially Jyotisha and mantra-shastra)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It presents the Goddess as the inner power behind both cosmic order (graha–nakṣatra–rāśi) and sacred sound (mantra–mātṛkā), linking devotional worship with the metaphysical basis of Vedic sciences.
Bhakti here is expressed as nāma and mantra-oriented reverence: by bowing to Devi as mantramayī, devotion becomes a disciplined practice of sacred sound that aligns the worshipper with the cosmic structure she embodies.
Jyotiṣa (Vedāṅga astrology) is foregrounded through grahas, nakṣatras, and rāśis, while mantra-vidyā is emphasized through the idea of mātṛkās (letter-deities) and Devi as the very substance of mantra used in ritual recitation.