The Description of the Four Durgā Mantras
मालतीबकुलोद्भूतैः पुष्पैश्चन्दनलोलितैः । जुहुयात्कवितां मन्त्री लभते वत्सरांतरे ॥ ८९ ॥
mālatībakulodbhūtaiḥ puṣpaiścandanalolitaiḥ | juhuyātkavitāṃ mantrī labhate vatsarāṃtare || 89 ||
وبأزهار المالاتي والبكولا المدهونة بخشب الصندل، على العارف بالمانترا أن يقدّم القرابين في النار؛ وخلال سنة ينال إلهام الشعر (كافيتا).
Sanatkumara (teaching Narada in a Vedanga/ritual-application context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents a ritualized discipline where purity of offerings (flowers anointed with sandalwood) and mantra-guided homa are said to refine speech and intellect, culminating in kavitā (poetic inspiration) as a siddhi attained through sustained practice.
Though technical in tone, it implies devotional reverence expressed through fragrant, pure offerings and mantra-ritual; the fruit (kavitā) is treated as a grace-like attainment that arises from disciplined worship and sustained sādhana.
It reflects applied ritual procedure (kalpa-style practice) and mantra-usage—how specific substances and precise offerings in homa are linked to a targeted result (speech/poetic capacity), aligning with Vedanga-oriented technical instruction.