The Description of the Four Durgā Mantras
गिरिकर्णीभवैः पुष्पैर्ब्राह्यणान्वशयेद्धुतैः । कह्लारैः पार्थिवान्पुष्पैस्तद्वधूः कर्णिकारजैः ॥ ८४ ॥
girikarṇībhavaiḥ puṣpairbrāhyaṇānvaśayeddhutaiḥ | kahlāraiḥ pārthivānpuṣpaistadvadhūḥ karṇikārajaiḥ || 84 ||
بزهورٍ مولودةٍ من الجِرِيكَرْنِي إذا أُحرِقت قُربانًا في النار المقدّسة يُستمال البراهمة؛ وبزهور الكَهْلارا وسائر الزهور الأرضية يُستمال الملوك؛ وبأزهار الكَرْنِيكارا تُنال العروس المنشودة.
Sanatkumara (teaching Narada in an instructional sequence on ritual/technical applications)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It emphasizes dravya-niyama—choosing the proper ritual substance (here, specific flowers) as a technical component of dharmic rites, showing that intention in worship is supported by precise ritual means.
While framed as a ritual prayoga, it implies that devotional acts (offerings) become more effective when performed with correct upacāra and discipline, aligning external worship with purposeful devotion.
It reflects kalpa-style ritual procedure (a Vedāṅga application): selection of materials for homa/offerings and the expected phala (result) tied to specific dravyas.