The Description of the Four Durgā Mantras
त्रिमध्वक्तैः प्रसूनैर्वा करवीरसमुद्भवैः । पद्मं वसुदलोपेतं नवयोन्यष्टकर्णिकम् ॥ ६३ ॥
trimadhvaktaiḥ prasūnairvā karavīrasamudbhavaiḥ | padmaṃ vasudalopetaṃ navayonyaṣṭakarṇikam || 63 ||
أو باستعمال أزهار الكَرَڤِيرَ (karavīra) المفعمة بحلاوة العسل الثلاثية، يُصاغ لوتسٌ: ذو ثماني بتلات، ولبّه موسوم بتسع «يوني» (تقسيمات).
Sanatkumara (teaching Narada in a technical/ritual instruction sequence)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It prescribes a precise lotus-form used in worship, indicating that devotion is supported by disciplined, correctly structured ritual forms (a technical aid to focused upāsanā).
Bhakti here is expressed through careful preparation of worship-materials and sacred forms; the ordered lotus with defined petals/divisions becomes a support for steady remembrance and offering.
It highlights procedural/technical ritual knowledge—how to construct a specific lotus pattern (a kind of ritual design/mandala specification), reflecting the Vedāṅga-style emphasis on exactness in rites.