The Description of the Four Durgā Mantras
प्रविन्यसेद्य धापूर्व भृगुर्व्योमाग्निसंस्थितः । सद्यादिपञ्चह्रस्वाद्या बीजमेषां प्रकीर्तितम् ॥ ५१ ॥
pravinyasedya dhāpūrva bhṛgurvyomāgnisaṃsthitaḥ | sadyādipañcahrasvādyā bījameṣāṃ prakīrtitam || 51 ||
ويُرتَّبُ هذه الأصوات/الوحدات على الترتيب اللائق مبتدئاً بـ«دْها»؛ ثم تُوضَعُ مجموعة «بْهْرِغو» في مقامات الفضاء والنار. وقد أُعلِنَت بِيجاتُها بأنها الخمس التي تبدأ بـ«سَدْيَ»، وكذلك ما يبدأ بحروف العلّة القصيرة.
Sanatkumara (teaching Narada in a Vedanga/technical instruction context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It treats mantra-technology as a sacred discipline: correct sequencing and placement of syllables (with defined bīja-forms) is presented as essential for a mantra’s efficacy and purity in Vedic practice.
Bhakti here is supported by precision in sacred speech—devotion is not only emotion but also disciplined recitation and correct mantra-structure, aligning the practitioner with Vedic order (ṛta).
Shiksha/Vedanga phonetics: it emphasizes ordered arrangement of syllables, the use of bīja-syllables, and technical vowel classes (hrasva) connected with ritual/elemental placements such as agni and vyoma.