The Description of the Four Durgā Mantras
शंखपत्रां तु मातंगीं चित्रकोद्भासिमस्तकाम् । अयुतं प्रजपेन्मंत्रं तद्दशांशं मधूकजैः ॥ १३० ॥
śaṃkhapatrāṃ tu mātaṃgīṃ citrakodbhāsimastakām | ayutaṃ prajapenmaṃtraṃ taddaśāṃśaṃ madhūkajaiḥ || 130 ||
ينبغي أن يُتأمَّل في «ماتَنْغي» وهي حاملةٌ لِـśaṅkha-patra (ورقة على هيئة الصدفة) ورأسُها متلألئٌ ببريقٍ متنوع؛ ثم يُكرَّر المانترا عشرة آلاف مرة، وتُؤدَّى القرابين النارية بمقدار عُشر ذلك العدد، باستخدام قرابين من شجرة المَدهوكا (madhūka).
Narada (teaching ritual procedure within the Vedanga/kalpa-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It codifies a complete sādhana-unit: dhyāna (visualization of the deity’s form), japa (fixed repetition count), and homa (ritual sealing of practice) in a precise proportion, presenting discipline and measure as the means to mantra-siddhi.
Bhakti here is expressed as focused upāsanā—loving, steady attention to the deity’s form (Mātaṅgī-dhyāna) and faithful mantra-repetition—showing devotion as structured practice rather than mere sentiment.
Kalpa (ritual procedure) is foregrounded: a prescribed japa-saṅkhyā (10,000) and the standard daśāṃśa rule for homa (one-tenth of the japa count), along with specified dravya (madhūka-derived offerings).