Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
देवीमिष्ट्वा मध्ययोनौ त्रिकोणे रतिपूर्विकाम् । वामकोणे रतिं दक्षे प्रीतिमग्रे मनोभवाम् ॥ २४ ॥
devīmiṣṭvā madhyayonau trikoṇe ratipūrvikām | vāmakoṇe ratiṃ dakṣe prītimagre manobhavām || 24 ||
وبعد عبادة الإلهة في المثلث الأوسط على هيئة اليوني، يوضع (ويُعبد) هناك راتيبورفيكا (Ratipūrvikā)؛ وفي الزاوية اليسرى توضع رَتي (Rati)، وفي اليمنى بريتي (Prīti)، وفي القمّة الأمامية تُوضع مانوبهافا (Manobhavā).
Narada (in instruction to the Sanatkumara tradition, within a technical/ritual exposition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches a precise upāsanā method: the Goddess is worshipped through ordered placement of associated śaktis in a yoni-shaped triangular maṇḍala, emphasizing disciplined ritual structure and focused contemplation.
Bhakti here is expressed as reverent, methodical worship—honoring the Goddess and her attendant powers (Rati, Prīti, etc.) through a prescribed arrangement that aids single-pointed devotion and visualization.
It reflects kalpa-style ritual procedure and maṇḍala/nyāsa principles—practical liturgical know-how about where deities are invoked and worshipped within a geometric diagram.