Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
तस्या मंत्रादिकं सर्वं कथयिष्यामि तच्छृणु । सारुणा क्रोधनी शांतिश्चंद्रालंकृतशेखरा ॥ ५ ॥
tasyā maṃtrādikaṃ sarvaṃ kathayiṣyāmi tacchṛṇu | sāruṇā krodhanī śāṃtiścaṃdrālaṃkṛtaśekharā || 5 ||
فالآن استمع: سأبيّن بيانًا تامًّا جميعَ منتراتها وما يتصل بها من الطقوس. فهي سارونا، وكروذَني، وشانتي—الإلهة التي يزيّن قِمّةَ تاجها القمر.
Narada
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It marks a formal transition into mantra-vidhi: the speaker promises a complete teaching of the deity’s mantras along with their supporting ritual components, indicating that correct method (vidhi) is essential for spiritual and practical results.
Bhakti here is expressed as attentive listening and receptivity to sacred instruction—“listen, I will explain”—showing devotion grounded in disciplined learning of the deity’s names, forms, and prescribed worship.
The emphasis is on applied mantra-śāstra within the Vedāṅga-oriented section: mantras plus ‘ādika’ (ancillaries) implies procedural correctness—recitation, ritual framing, and pacificatory (śānti) applications.