Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
कण्ठमात्रोदके स्थित्वा वीक्ष्य तोयोद्गतं रविम् । त्रिसहस्रं जपेन्मंत्रं कन्यामिष्टां लभेत्ततः ॥ ४९ ॥
kaṇṭhamātrodake sthitvā vīkṣya toyodgataṃ ravim | trisahasraṃ japenmaṃtraṃ kanyāmiṣṭāṃ labhettataḥ || 49 ||
يقف المرء في الماء حتى العنق، وينظر إلى الشمس وهي تطلع من صفحة الماء، ثم يكرر المانترا ثلاثة آلاف مرة؛ ومن ذلك ينال الفتاة المنشودة (زوجةً لائقة).
Sanatkumara (teaching Narada in a Vedanga/ritual-results context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It presents a karma-kāṇḍa style discipline: bodily austerity (standing in water), focused darśana (gazing at the Sun), and measured japa (3,000 repetitions) as a structured sādhanā believed to yield a specific worldly fruit.
Bhakti is implicit through reverent attention to a divine power (Ravi/Surya) and disciplined mantra-japa; however, the verse primarily emphasizes result-oriented practice (phala) rather than liberation-focused devotion.
It highlights ritual procedure and measurable japa-sankhyā (count discipline), along with a time/observance cue (Sun’s emergence/visibility), aligning with applied Vedic practice commonly associated with kalpa-style ritual method and observance timing.