Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
चषकं तालवृंतं च तांबूलं छत्रमुज्ज्वलम् । चामरे चांशुकं पुष्पं बिभ्राणाः करपंकजैः ॥ ४१ ॥
caṣakaṃ tālavṛṃtaṃ ca tāṃbūlaṃ chatramujjvalam | cāmare cāṃśukaṃ puṣpaṃ bibhrāṇāḥ karapaṃkajaiḥ || 41 ||
وكانوا يحملون بأكفٍّ كأزهار اللوتس: كأس الشراب، ومروحةً بساقٍ من ورق النخل، وتامبولا (البتل)، ومظلّةً متلألئة، ومراوح من ذيل الياك (تشامارا)، وثيابًا وزهورًا؛ ووقفوا حاملين هذه القرابين في خدمةٍ خاشعة.
Narada (in dialogue context with Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes bhakti expressed as reverential service (seva) through upacharas—auspicious, respectful offerings that honor the divine presence like a sovereign.
Bhakti is shown as embodied devotion: devotees actively carry and present offerings—flowers, cloth, fans, parasol—signifying humility, attentiveness, and loving worship rather than mere theory.
Practical ritual know-how is implied: the ordered use of upachara articles in puja reflects applied kalpa (ritual procedure) and proper ceremonial etiquette for worship.