Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
वसुलक्षं जपेन्मंत्रं तिलैः समधुरैर्हुनेत । पयोंऽधसा वा सहस्रं नवपद्मात्मके यजेत् ॥ ७९ ॥
vasulakṣaṃ japenmaṃtraṃ tilaiḥ samadhurairhuneta | payoṃ'dhasā vā sahasraṃ navapadmātmake yajet || 79 ||
ينبغي أن يُكرِّر المرءُ الجَپَا للمانترا ثمانمائةَ ألفِ مرة، وأن يقدِّم قرابينَ الهَوما بسمسمٍ ممزوجٍ بالحلاوة. أو يُجري ألفَ تقدمةٍ باللبن واللبنِ الرائب، عابدًا وفقَ طقسِ ترتيبِ اللوتسِ التسع.
Narada (instructional narration within the Vedanga/ritual section, traditionally framed in dialogue with Sanatkumara lineages)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It prescribes disciplined mantra-sadhana (japa) and purificatory fire-offering (homa) as a complete ritual method, emphasizing both inner repetition and outward sacrificial action performed in a precise sacred layout.
Though technical, it supports bhakti by directing the practitioner to sustained mantra repetition and reverent offerings—acts that cultivate steadiness, purity, and single-pointed worship in a structured ritual setting.
It highlights ritual praxis: counted japa (saṅkhyā-niyama), homa-dravya selection (sesame with sweetness; milk/curds), and a prescribed worship-configuration (nava-padma layout), reflecting applied Kalpa-style procedure.