Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
अत्रावाह्य च मूलेन मूर्तिं संकल्प्य साधकः । षट् कोणेषु षडंगानि दक्षिणे तु गजाननम् ॥ ५६ ॥
atrāvāhya ca mūlena mūrtiṃ saṃkalpya sādhakaḥ | ṣaṭ koṇeṣu ṣaḍaṃgāni dakṣiṇe tu gajānanam || 56 ||
هنا، بعد استحضار (الإله) بالمانترا الجذرية (mūla-mantra) وتشكيل الصورة الإلهية في النية، يضع السالك الأعضاء الستة (ṣaḍaṅga) في الزوايا الست؛ وعلى الجهة الجنوبية يضع «غَجَانَنَ» (Gaṇeśa).
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that worship begins with inner formation of the deity (saṅkalpa) and disciplined mantra-installation (ṣaḍaṅga-nyāsa), making the practitioner’s body-mind and the ritual space fit to hold divine presence.
Bhakti here is shown as focused, reverent approach: invoking through the mūla-mantra, visualizing the form, and arranging protective/empowering nyāsa—devotion expressed through precision and one-pointed remembrance.
Ritual-technical knowledge is emphasized: āvāhana (invocation), saṅkalpa (ritual resolve), ṣaḍaṅga-nyāsa (mantra-limb installation), and directional placement—core procedures used in mantra-śāstra and āgamic-style worship.