Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
सौम्यास्या ब्रह्मतुर्याढ्या साथर्वांगिरसात्मिका । उदीचीं षट्पदा पातु षष्टितत्त्वकलात्मिका ॥ १४५ ॥
saumyāsyā brahmaturyāḍhyā sātharvāṃgirasātmikā | udīcīṃ ṣaṭpadā pātu ṣaṣṭitattvakalātmikā || 145 ||
لتَحْمِ جهةَ الشمال القوّةُ الإلهيةُ ذاتُ الستّ خُطى (ṣaṭpadā) الشبيهةُ بالنحلة—ذاتُ الوجه اللطيف، المفعمةُ بحالة براهْمان الرابعة (turīya)، المتجسِّدةُ في تقاليد الأتهرفا والأنغيراس، والمكوَّنةُ من ستين تَتْفَا وأجزائها.
Sage Sanatkumara (teaching Narada in a technical/ritual-protective hymn context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It functions as a dik-rakṣā (directional protection) invocation: the northern quarter is entrusted to a transcendent, mantra-born Divine Power linked with turīya (pure consciousness) and the Atharva-Aṅgiras stream, implying protection through both ritual potency and metaphysical realization.
Even in a technical (Vedāṅga/mantra) section, the verse models bhakti as surrender—entrusting one’s safety to the Divine Power—while implying that true protection culminates in turīya-centered awareness (devotion aligned with higher knowledge).
It reflects Atharvavedic mantric application and a nyāsa-like mapping of divine forces to directions (dik), a practical ritual framework used for protection, consecration, and disciplined recitation.