Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
सौरे पीठे यजेद्देवीं दीप्तादिनवशक्तिभिः । मूलमंत्रेण क्लृप्तायां मूर्तौ देवीं प्रपूजयेत् ॥ ११७ ॥
saure pīṭhe yajeddevīṃ dīptādinavaśaktibhiḥ | mūlamaṃtreṇa klṛptāyāṃ mūrtau devīṃ prapūjayet || 117 ||
على المقعد السَّوري (Saura، مذبح الشمس) تُعبَد الإلهة مع القوى التسع التي تبدأ بـ«ديبتا» (Dīptā). وبعد إقامة الصورة (mūrti) وفق المانترا الجذرية، تُؤدَّى عبادةٌ كاملة للإلهة على الوجه اللائق.
Narada (teaching ritual procedure, in dialogue tradition with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that Devi-upāsanā becomes complete when her worship is performed in an established icon (mūrti) using the root-mantra, and when her attendant śaktis (nine powers beginning with Dīptā) are honored as integral aspects of her presence.
Bhakti here is expressed as disciplined, reverent worship—approaching the Goddess through a consecrated form and honoring her energies—showing devotion as both love and correct ritual attention (upacāra) guided by mantra.
It reflects Kalpa/Vedāṅga-style ritual technique: selecting the proper pīṭha (altar-seat), invoking associated śaktis, and using the mūlamantra for proper establishment and worship of the deity’s mūrti.