The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
नानाशिल्पकलाभिज्ञां कृष्णभोगानुरूपिणीम् । तत्सेवनसुखाह्लादभावेनातिसुनिर्वृताम् ॥ ३१ ॥
nānāśilpakalābhijñāṃ kṛṣṇabhogānurūpiṇīm | tatsevanasukhāhlādabhāvenātisunirvṛtām || 31 ||
كانت خبيرةً بفنونٍ وصنائع شتّى، ملائمةً تمامًا لمسرّاتِ شري كريشنا؛ وكانت في غاية الرضا والسكينة، إذ يفيض قلبُها فرحًا بسعادة خدمته.
Narada (teaching in dialogue context within the Narada Purana)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents seva (loving service) as a complete spiritual fulfillment: true contentment arises from delighting in Krishna’s service rather than from self-centered pleasure.
Bhakti is shown as attentive, fitting service—offering one’s abilities and refined conduct in a mood of joyful dedication to Krishna.
While not naming a specific Vedanga, it implies the disciplined cultivation of kalā/śilpa (technical arts) and proper conduct—skills that support refined ritual culture and devotional service.