Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
ध्यायेत्कल्पद्रुमूलाश्रितमणिविलसद्दिव्यसिंहासनस्थं मेघश्यामं पिशंगांशुकमतिसुभगं शंखरेत्रे कराभ्याम् ॥ ६७ ॥
dhyāyetkalpadrumūlāśritamaṇivilasaddivyasiṃhāsanasthaṃ meghaśyāmaṃ piśaṃgāṃśukamatisubhagaṃ śaṃkharetre karābhyām || 67 ||
ليتأمّل المرءُ فيه، جالسًا على عرشٍ إلهيٍّ على هيئة أسدٍ متلألئٍ بالجواهر، تحت جذور شجرة الكَلبَدْرُما المُحقِّقة للأماني؛ داكنًا كغيم المطر، بالغَ الحُسن، مرتديًا ثيابًا مائلة إلى الصفرة، وفي يديه الصدفة (śaṅkha) والقرص (cakra).
Sanatkumara (teaching Narada the dhyāna/visualization of Vishnu)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It prescribes a concrete dhyāna-mūrti of Lord Vishnu—cloud-dark, jewel-resplendent, enthroned, bearing conch and discus—so the mind gains steadiness and devotion by fixing on auspicious divine attributes.
Bhakti is practiced here as upāsanā: repeatedly contemplating Vishnu’s beautiful, protective form (with śaṅkha and cakra) to awaken loving remembrance and single-pointed attention.
It highlights practical upāsanā-vidhi (meditative procedure used in ritual contexts): forming a precise mental icon (dhyāna) that supports mantra-japa and worship, aligning mind, speech, and rite.