Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
लीलादंडहरिः प्रोक्तो मन्वब्धधियुगवह्निभिः । वेदैः पंचां गकं भागैर्मंत्रवर्णोत्थितैः क्रमात् ॥ ५४ ॥
līlādaṃḍahariḥ prokto manvabdhadhiyugavahnibhiḥ | vedaiḥ paṃcāṃ gakaṃ bhāgairmaṃtravarṇotthitaiḥ kramāt || 54 ||
وهكذا أُعلن الاسم «ليلا-دَنْدَ-هري»—مُتَشَكِّلًا على الترتيب من حروف المانترا التي تنبثق عبر الفيدات، بواسطة التقسيم الخماسي، ووفق العلامات العددية المسمّاة: المَنفَنتَرا، والمحيط، والذهن (دهي)، واليوغا، والنار.
Narada (teaching in a Vedanga/technical explanatory mode, traditionally within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents Hari’s name as not merely devotional poetry but as a Veda-grounded mantra-form, implying that remembrance of Vishnu is aligned with revealed sound (śabda) and its ordered structure.
By identifying Hari through mantra-derived syllables and ordered components, it frames bhakti as disciplined japa/recitation rooted in Vedic sound-science—devotion expressed through correctly understood and sequenced sacred names.
It points to Śikṣā (phonetics: varṇa/syllable formation) and Vyākaraṇa-style analysis (derivation by parts), using a fivefold division and numeric/cosmic markers to systematize mantra construction.