The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
गोपानूगोपीश्च गोविंदविलीनमतिलोचनान् । ज्ञानमुद्राभयकरौ पितरौ पीतपांडुरौ ॥ ६४ ॥
gopānūgopīśca goviṃdavilīnamatilocanān | jñānamudrābhayakarau pitarau pītapāṃḍurau || 64 ||
وعليه أن يتصوّر الرعاةَ والگوبِيّات وقد ذابت عقولهم وأبصارهم كليًّا في غوفيندا؛ وأن يتصوّر كذلك الشيخين الجليلين بلونٍ أصفر شاحب، وأيديهما تُظهر مُدرا المعرفة ومُدرا الأمان (عدم الخوف).
Narada (as instructor within the Narada Purana’s didactic dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches contemplative absorption (dhyana) where the devotee visualizes the Vraja community—gopas and gopis—as completely merged in Govinda, pointing to single-pointed devotion that matures into inner steadiness and liberation-oriented devotion.
Bhakti is shown as total fixation of mind and gaze on Govinda (govinda-vilīna-mati-locana), indicating that devotion is not merely ritual action but an all-consuming remembrance and loving attention centered on Vishnu as Govinda.
It aligns with applied ritual-visualization principles used in mantra and worship practice—iconographic cues like jñāna-mudrā and abhaya (gestures) guide correct contemplative form during upāsanā, even within a technically oriented (Vedanga-linked) section.