Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
स्वबीजानंगध्रुववाक्कर्णिकं दिग्दलं लिखेत् । तारादिवर्मांतदलं शेषवर्णदलांतरम् ॥ २५ ॥
svabījānaṃgadhruvavākkarṇikaṃ digdalaṃ likhet | tārādivarmāṃtadalaṃ śeṣavarṇadalāṃtaram || 25 ||
يُكتَب في الكرنيكا (karṇikā) أي قلب المركز، مقطعُ البِيجا (bīja) الخاصّ بالمرء، مع أَنْغا-مانترا (aṅga-mantra)، والصيغة الثابتة (dhruva)، ومانترا الفاك (vāk). ثم تُرسَم البتلات بحسب الجهات. وعلى البتلات تُكتَب السلسلة من تارا (Tārā) إلى فارما (Varma)، وفي الفراغات بين البتلات تُكتَب الحروف المتبقية.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches the disciplined, rule-based placement of mantras on a lotus-yantra—centering the practice on the bīja and protective formulas so the sādhaka’s worship becomes orderly, guarded (varma), and focused.
Though technical, it supports bhakti by prescribing a precise worship-layout: mantra placement (karṇikā, petals, interspaces) becomes a concrete method to concentrate the mind on the deity through regulated japa, nyāsa, and protection-mantras.
It highlights ritual-technical know-how—mantra-lekhana and nyāsa-style arrangement (aṅga, dhruva, varma) with directional mapping—typical of the Narada Purana’s Vedāṅga/technical-science orientation in Book 1.3.