Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
अष्टच्छदांतः षट्कोणं साध्यनामसमन्वितम् । षट्कोणेषु ध्रुवं ङेंतमांजनेयपदं लिखेत् ॥ १७३ ॥
aṣṭacchadāṃtaḥ ṣaṭkoṇaṃ sādhyanāmasamanvitam | ṣaṭkoṇeṣu dhruvaṃ ṅeṃtamāṃjaneyapadaṃ likhet || 173 ||
داخل حِمى اللوتس ذي الثماني بتلات، يُرسَم شكلٌ سداسي ويُكتَب في وسطه اسم المقصود المراد إنجازه (سادهيا). وفي زوايا السداسي الست تُكتَب المقطعة الثابتة (دهروفا) وكلمة «Ṅeṃ» مع اللقب «Āñjaneya».
Sanatkumara (teaching Narada the technical procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It gives a precise yantra-writing rule: sacred geometry (eight-petalled lotus and hexagon) is used as a disciplined container for mantra and intention (sādhya), aligning the practitioner’s goal with a fixed seed-syllable (dhruva) and the invoked deity-name (Āñjaneya).
Bhakti here is expressed as focused upāsanā: the devotee places the deity’s epithet (Āñjaneya) and the intended purpose within a consecrated diagram, showing devotion as concentrated remembrance and ritual precision rather than mere sentiment.
It highlights technical ritual procedure—mantra-bīja placement and yantra geometry—skills associated with applied sacred phonetics and ritual method (often treated alongside Vedanga-style technical disciplines in Purāṇic instruction).