The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
एकादशाक्षरो मंत्रो मुन्याद्यर्चास्य पूर्ववत् । त्रैलोक्यांते तु नाथाय हृदंतो वसुवर्णवान् ॥ ९९ ॥
ekādaśākṣaro maṃtro munyādyarcāsya pūrvavat | trailokyāṃte tu nāthāya hṛdaṃto vasuvarṇavān || 99 ||
هذه المانترا من إحدى عشرة مقطعًا؛ وتُؤدَّى العبادة—ابتداءً بذكر الحكماء (الموني)—كما وُصف سابقًا. وعند نهاية العوالم الثلاثة (في الانحلال الأخير)، يبقى الربّ ساكنًا في القلب من الداخل، متلألئًا ببريقٍ ذهبيّ كبهاء الغنى.
Sanatkumara (in instruction to Narada, within the Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links correct mantra-worship procedure with the highest metaphysical truth: even when the cosmos ends, the Lord remains present as the heart’s inner indweller, so devotion is both ritual and realization.
Bhakti is shown as disciplined practice—japa of an eleven-syllable mantra and arcana “as previously taught”—that culminates in recognizing the Lord within, beyond cosmic change.
It emphasizes technical mantra-vidhi and arcana-krama (procedural correctness): specifying the mantra’s syllable-count (akṣara) and following the established ritual sequence.