The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
शिरोललाटभ्रूमध्यतालुकण्ठेषु हृद्यपि । नाभ्यंघ्रिजानुपादेषु दशार्णान्विन्यसेन्मनोः ॥ ६७ ॥
śirolalāṭabhrūmadhyatālukaṇṭheṣu hṛdyapi | nābhyaṃghrijānupādeṣu daśārṇānvinyasenmanoḥ || 67 ||
ينبغي أن يُثبِّت المرء في ذهنه المقاطع العشر (للمانترا) على الرأس، والجبهة، وموضع ما بين الحاجبين، وسقف الحنك، والحنجرة، وكذلك على القلب؛ ثم على السُّرّة، والقدمين، والركبتين، والساقين، مُجريًا النِّيازا بالعقل.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It teaches mantra-nyāsa: internalizing the mantra by mentally placing its syllables on key bodily centers, making the practitioner’s body a consecrated seat of the mantra and steadying concentration.
By prescribing mindful installation of mantra-syllables, it supports devotional upāsanā: the devotee remembers the deity/mantra continuously, turning the body-mind into an instrument of worship through focused remembrance.
It reflects Śikṣā (phonetics) and mantra-prayoga: the disciplined use of syllables (arṇa) and their ritual placement (nyāsa) as a technical method to stabilize japa and meditation.