The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
रक्षोघ्नविशदायांते मधुरादिप्रसन्न च । वरदानायामितांते नुतेजसेपदमीरयेत् ॥ ५१ ॥
rakṣoghnaviśadāyāṃte madhurādiprasanna ca | varadānāyāmitāṃte nutejasepadamīrayet || 51 ||
في ختام المقطع المانتري الذي يبتدئ بـ«Rakṣoghna» و«Viśadāyānte»، وكذلك في نهاية المقطع اللطيف المُبهِج الذي يبتدئ بـ«Madhurādi»، وفي ختام المقطع الذي يبتدئ بـ«Varadānāya» و«Amitānte»، ينبغي أن يُنطَق باللفظ (pada) «Tejase».
Sanatkumara (in instruction to Narada on technical recitation/nyasa)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches precise placement of a power-word (“Tejase”, invoking radiance) at specific segment-endings, showing that mantra efficacy in the Narada Purana depends on exact structure, not only devotion.
Bhakti here is supported by disciplined practice: reverence is expressed through careful, correct recitation that invokes divine tejas (spiritual brilliance) for protection and auspiciousness.
Śikṣā (phonetics/recitation) and Vyākaraṇa-style segmentation (pada and section endings) are implied—where to append a specific case-form like “tejase” as part of ritualized mantra procedure.