The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
घातयंतं मेघनादं ध्यात्वा लक्षं जपेन्मनुम् । दुर्जयं वापि वेगेन जयेद्रिपुकुलं महत् ॥ १५६ ॥
ghātayaṃtaṃ meghanādaṃ dhyātvā lakṣaṃ japenmanum | durjayaṃ vāpi vegena jayedripukulaṃ mahat || 156 ||
متأمّلًا في (القوة الإلهية) بوصفها قاتلَ ميغانادا، فليُردِّدِ المانترا مئةَ ألفِ مرةٍ؛ وبقوةٍ سريعةِ الاندفاع يُغلَبُ حتى ما يبدو عصيًّا على الغلبة، وتُقهَرُ جموعٌ عظيمةٌ من عشائر الأعداء.
Sanatkumara (teaching Narada in a technical/ritual context)
Vrata: none
Primary Rasa: vira
Secondary Rasa: adbhuta
It teaches a sadhana principle: dhyāna (focused contemplation) combined with disciplined lakṣa-japa is presented as a means to remove formidable obstacles and gain protective strength.
Bhakti here is expressed as steady remembrance (dhyāna) and faithful repetition (japa); the devotee’s reliance on the invoked divine power is portrayed as transforming fear of enemies/obstacles into victory.
A practical mantra-śāstra takeaway is given: a quantified japa count (lakṣa = 100,000) paired with a specified dhyāna-bhāva (visualization of a victorious form) as a technical rule of practice.