The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
कोटिपूर्णेन्दुवर्णं च सुमुखं त्र् यक्षिवीक्षणम् । पीतवस्त्रोरुभूषाढ्यं नृसिहं शान्तविग्रहम् । चक्रशङ्खाभयवरान्दधतं करपल्लवैः ॥ ७० ॥
koṭipūrṇenduvarṇaṃ ca sumukhaṃ tr yakṣivīkṣaṇam | pītavastrorubhūṣāḍhyaṃ nṛsihaṃ śāntavigraham | cakraśaṅkhābhayavarāndadhataṃ karapallavaiḥ || 70 ||
تأمّل في الربّ نَرَسِمْهَا: لونه كأنّه كُرورٌ من الأقمار المكتملة، ذو وجهٍ بهيّ ونظرةٍ ذات ثلاث عيون؛ لابسٌ ثوبًا أصفر ومتحلٍّ بحُليٍّ جليلة؛ هادئ الهيئة، وفي كفّيه الرقيقتين كبتلات اللوتس يحمل القرص والصدفة وإشارة الأمان وإشارة منح النِّعَم.
Narada (teaching a dhyāna/visualization of Narasiṃha within the instructional flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It gives a precise dhyāna-lakṣaṇa (meditative iconography) of Narasiṃha—fixing the mind on his luminous, serene form and divine attributes so devotion becomes steady and fear is pacified.
Bhakti is expressed through contemplative remembrance (smaraṇa/dhyāna): visualizing the Lord’s beauty, peace, and protecting gestures (abhaya) deepens surrender and trust in Vishnu as Narasiṃha.
It reflects applied śāstra-prayoga—using standardized dhyāna descriptors (form, color, weapons, mudrās) for correct ritual/meditation practice, aligning iconographic precision with mantra-upāsanā.