The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
श्रियं ह्रियं धृतिं पुष्टिं कोणपत्रेषु पूजयेत् । दन्तच्छदेषु नृहरींस्तावतः पूजयेत्क्रमात् ॥ ७ ॥
śriyaṃ hriyaṃ dhṛtiṃ puṣṭiṃ koṇapatreṣu pūjayet | dantacchadeṣu nṛharīṃstāvataḥ pūjayetkramāt || 7 ||
تُعبَدُ شري (Śrī) وهري (Hrī) ودهرتي (Dhṛti) وبُشتي (Puṣṭi) على بتلات الزوايا. وعلى النتوءات الخارجية الشبيهة بالأسنان، تُعبَدُ بعد ذلك صورُ نَرَسِمْهَا بعددٍ مماثل، على الترتيب اللائق.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that inner virtues (Śrī, Hrī, Dhṛti, Puṣṭi) are ritually installed in specific locations of a worship-diagram, showing that devotion is supported by cultivated qualities and disciplined, ordered worship.
Bhakti here is expressed as krama-pūjā—methodical worship where divine aspects and attendant forms (Narasiṃhas) are honored in their proper places, emphasizing reverence, order, and completeness in Vishnu-upāsanā.
It highlights ritual-technical procedure: precise placement of devatās on petals/outer projections of a mandala (a practical application aligned with Kalpa—ritual science—within the Narada Purana’s technical teachings).