The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
इत्यन्तान्यास्यकघ्राणचक्षुः श्रोत्रेषु पक्ष्मसु । हृदि नाभौ च कट्यादिपादान्तं नवसु न्यसेत् ॥ २८ ॥
ityantānyāsyakaghrāṇacakṣuḥ śrotreṣu pakṣmasu | hṛdi nābhau ca kaṭyādipādāntaṃ navasu nyaset || 28 ||
وهكذا، بعد إتمام النِياسا السابقة، يُوضَع (المانترا/أجزاؤه) في الفم، والأنف، والعينين، والأذنين، وعلى الأهداب؛ وفي القلب، وفي السُّرّة، ومن الخصر إلى نهاية القدمين—فتكون تسعَ مواضعَ في الجملة.
Narada (teaching a technical ritual method within Vedanga-oriented practice)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches internalization of worship through nyāsa—placing sacred sound/intent into specific bodily centers so the practitioner’s body becomes a fit vessel for mantra-sādhana and focused contemplation.
By prescribing bodily placements tied to mantra, it supports devotional upāsanā as embodied remembrance—turning senses and inner centers (heart, navel) into instruments of attentive worship rather than distraction.
Ritual-technical application of mantra (a prayoga within Vedic/Āgamic discipline): a structured nyāsa sequence, emphasizing precise placement steps and count (nine) for correct practice.