Narada Purana — Purva Bhaga, Shloka 160
The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
जपोऽयुतं दशांशेन होमः स्यात्पायसेन तु । प्रागुक्ते पूजयेत्पीठे मूर्तिं सङ्कल्प्य मूलतः ॥ १६० ॥
japo'yutaṃ daśāṃśena homaḥ syātpāyasena tu | prāgukte pūjayetpīṭhe mūrtiṃ saṅkalpya mūlataḥ || 160 ||
يُؤدَّى الجَپا (japa) عشرةَ آلافِ مرة، ثم يُقام الهُوما (homa) بقدر عُشر ذلك باستعمال البايَسا (pāyasa) أي الأرزّ الحلو. وبعدها، على مقعد المذبح (pīṭha) المذكور سابقًا، تُعبَد المُورتي (mūrti) بعد أن تُثبَّت بصَنكَلْپا (saṅkalpa) هيئةُ الإله من الجذر، أي من المولا-مانترا والنية المؤسسة.
Sanatkumara (in instruction to Narada, within the Vedanga/ritual-technical section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It sets a disciplined sādhana sequence—japa followed by a proportionate homa—showing how inner repetition is sealed by an outer sacrificial act and culminates in focused worship through saṅkalpa.
Bhakti here is expressed as structured upāsanā: steady mantra-japa, an offering made in fire, and then reverent worship of the deity-form established through intention and the root-mantra.
Ritual measurement and procedure: the daśāṁśa rule (homa as one-tenth of japa), the specific oblation (pāyasa), and the technical steps of pīṭha-worship and saṅkalpa in mantra-sādhanā.