Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
नमोंतो बाणषङ्वर्णैः किरीटमनुरीरितः । एवं न्यासविधिं कृत्वा ध्यायेन्नारायणं विभुम् ॥ ३१ ॥
namoṃto bāṇaṣaṅvarṇaiḥ kirīṭamanurīritaḥ | evaṃ nyāsavidhiṃ kṛtvā dhyāyennārāyaṇaṃ vibhum || 31 ||
ومانترا التاج تُتلى بترتيب المقاطع، مبتدئةً بـ«نمو»، مع مجموعة حروف «بانا» و«شان». وهكذا بعد إتمام طريقة النْياسا، يتأمل المرء نارايانا، الربَّ الشامل لكل شيء.
Narada (in an instructional passage, within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that ritualized mantra-placement (nyāsa) culminates in direct contemplation of Nārāyaṇa, making external procedure a preparation for internal, focused devotion.
Bhakti here is expressed as disciplined remembrance: after sanctifying the body-mind through nyāsa, the devotee fixes awareness on Nārāyaṇa as the supreme, all-pervading Lord.
It reflects mantra-śāstra and ritual technique—especially the structured use of syllable-sets (varṇas) for nyāsa—showing applied sacred phonetics and procedure used in Purāṇic worship.