Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
जानुस्थवामहस्ताढ्यं साभयेतरपाणिकम् । ध्यात्वेवं प्रजपेसहस्रं विजितेंद्रियः ॥ १२४ ॥
jānusthavāmahastāḍhyaṃ sābhayetarapāṇikam | dhyātvevaṃ prajapesahasraṃ vijiteṃdriyaḥ || 124 ||
وبعد أن يتأمّل الإله على هذا النحو—مكتملَ الهيئة، يضع يده اليسرى على الركبة، وباليد الأخرى يُظهر مُدرا إزالة الخوف—فعلى من قهر الحواس أن يَجَپَا المانترا ألفَ مرة.
Sanatkumara (teaching Narada the dhyana-japa procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links inner visualization (dhyāna) with disciplined repetition (japa), teaching that mantra-fruit arises when the senses are restrained and the deity is held steadily in awareness.
By prescribing meditation on the deity’s fear-removing gesture (abhaya), it cultivates surrender and trust; the thousandfold japa becomes a steady act of devotional remembrance.
It highlights procedural precision—dhyāna-lakṣaṇa (meditative iconography), japa-saṅkhyā (fixed count), and indriya-nigraha (sense-control)—key technical elements used in mantra-prayoga.