The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
अनृताद्या च गायत्री छन्दो विष्णुश्च देवता । चक्राद्यायुधसंयुक्तं कुम्भादर्शधरं हरिम् ॥ ९९ ॥
anṛtādyā ca gāyatrī chando viṣṇuśca devatā | cakrādyāyudhasaṃyuktaṃ kumbhādarśadharaṃ harim || 99 ||
أمّا الجزء من المانترا الذي يبدأ بـ«أَنṛتَا…» فوزنه غاياتري، والإله المُشرف عليه هو فيشنو. وليتأمّل العابدُ هَري حاملَ الشاكرا وسائر الأسلحة، والممسك بإناء الماء (كومبها) وبالمرآة.
Narada (instructing/reciting technical correspondences as taught in the Vedanga-oriented section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links a specific mantra-section (“anṛtā-…”), its meter (Gāyatrī), and its presiding deity (Viṣṇu), showing that correct chandas–devatā alignment supports focused worship and effective recitation.
Bhakti is expressed through dhyāna: the devotee contemplates Hari’s iconography—discus and other weapons, along with the kumbha and mirror—so the mind becomes one-pointed on Viṣṇu while reciting the mantra.
It highlights Chandas (Vedic prosody) and devatā-viniyoga—identifying the meter and presiding deity for a given mantra/portion, a key ritual-technical step in Vedic recitation and application.