Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
तृतीयाद्ये तृतीयं स्याञ्चतुर्थाद्ये तुरीयकम् । तत्तदाग्नेयकोष्ठेषु तत्तत्पंचममक्षरम् ॥ ३ ॥
tṛtīyādye tṛtīyaṃ syāñcaturthādye turīyakam | tattadāgneyakoṣṭheṣu tattatpaṃcamamakṣaram || 3 ||
في المجموعة التي تبدأ بالثالث يُؤخذ الثالث، وفي المجموعة التي تبدأ بالرابع يُؤخذ الرابع. وفي كل خانةٍ من خانات «أغني» (الجنوب الشرقي) الموافقة، توضع الحرف الخامس لتلك المجموعة.
Sanatkumara (teaching Narada in a technical Vedanga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It encodes a precise method for arranging or selecting syllables/letters in a structured scheme, reflecting the Purana’s emphasis that mantra and ritual efficacy depend on correct phonetic and positional discipline (a Vedanga principle).
Indirectly: it supports bhakti practice by safeguarding correct mantra formation/placement; devotion in the Narada Purana is strengthened when worship is performed with accurate Vedic procedure rather than guesswork.
A technical, rule-based procedure typical of Śikṣā/Chandas-oriented instruction—selecting specific ordinal elements (third/fourth/fifth) from defined series and assigning them to an ‘Agneya’ (southeast) koṣṭha (compartment) in a ritual/mantric layout.