Narada Purana — Purva Bhaga, Shloka 55
Gṛhastha-nitya-karman: Śauca, Sandhyā-vidhi, Pañca-yajña, and Āśrama-krama
ब्रह्मणी चतुराननाक्षवलया कुम्भं करैः स्रुक्स्रवौ बिभ्राणा त्वरुणेंदुकांतिवदना ऋग्रूपिणी बालिका । हंसारोहणकेलिखण्खण्मणेर्बिंबार्चिता भूषिता गायत्री परिभाविता भवतु नः संपत्समृद्ध्यै सदा ॥ ५५ ॥
brahmaṇī caturānanākṣavalayā kumbhaṃ karaiḥ sruksravau bibhrāṇā tvaruṇeṃdukāṃtivadanā ṛgrūpiṇī bālikā | haṃsārohaṇakelikhaṇkhaṇmaṇerbiṃbārcitā bhūṣitā gāyatrī paribhāvitā bhavatu naḥ saṃpatsamṛddhyai sadā || 55 ||
لتكن لنا غاياتري الموقَّرة—شَكتي براهما ذي الوجوه الأربعة—تتخذ المِسبحة سوارًا، وتحمل بيديها إناء الماء الطقسي والمِغرفة وملعقة القربان؛ ووجهها يشرق كالقمر الوليد؛ وهي صورة الرِّغفيدا، عذراء فتية—مُزدانة بحُليٍّ ترنّ في لهوها على مطية البجعة، ومُجمَّلة بزينة كالبِمبا؛ يتأملها الحكماء على الدوام—فلتمنحنا دائمًا اليسر والرخاء والوفرة.
Narada (stuti within the Narada–Sanatkumara dialogue context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It presents Gāyatrī as the living essence of Vedic revelation (especially the Ṛgveda) and as a yajña-presiding śakti; steady contemplation of her is praised as a direct cause of auspiciousness, prosperity, and inner flourishing.
By offering a vivid dhyāna (meditative icon) of Gāyatrī—her form, attributes, and radiance—the verse teaches bhakti through upāsanā: loving remembrance and visualization that ripens into reverence, steadiness, and grace-bestowing devotion.
It reflects Kalpa (ritual practice) through explicit yajña tools (kumbha, sruk, sruva) and Mantra-upāsanā discipline—showing how Vedic ritual symbolism is integrated into daily meditation on Gāyatrī.