Narada Purana — Purva Bhaga, Shloka 52
Gṛhastha-nitya-karman: Śauca, Sandhyā-vidhi, Pañca-yajña, and Āśrama-krama
क्षिप्त्वोपतिष्ठेद्देवर्षे भास्करं स्वस्तिकांजलिम् । ऊर्द्धूबाहुरधोबाहुः क्रमात्कल्यादिके त्रिके ॥ ५२ ॥
kṣiptvopatiṣṭheddevarṣe bhāskaraṃ svastikāṃjalim | ūrddhūbāhuradhobāhuḥ kramātkalyādike trike || 52 ||
يا أيها الدِّيفارِشي، بعد نضح الماء المقرَّر، قِف بخشوع أمام بهاسكارا (الشمس) ويداك مجموعتان في أنجَلي «سفاستيكا» المبارك. وفي ثلاثية العصور ابتداءً من كِرتا-يوغا، تُؤدَّى العبادة على الترتيب: في عصرٍ تُرفع الذراعان إلى أعلى، وفي الذي يليه تُجعلان إلى أسفل، كلٌّ بحسب سنّته.
Narada (in dialogue with Sanatkumara tradition; addressing a devarṣi)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It teaches disciplined Surya-upāsanā: after the purificatory sprinkling, one approaches the Sun with auspicious hand-gesture (svastika añjali), showing reverence to the cosmic source of light, order, and dharma.
Bhakti here is expressed through embodied reverence—standing before Bhāskara with a sacred gesture and regulated posture—showing that devotion in the Purāṇic tradition is both inner faith and correct ritual conduct.
It reflects ritual procedure and gesture-discipline aligned with traditional practice, and it implicitly connects to Jyotiṣa/solar observance by centering worship on Bhāskara and yuga-wise ritual variation.