Pūrṇimā-vrata (Lakṣmī–Nārāyaṇa-vrata): Observance, Moon Arghya, and Annual Udyāpana
गीतैर्वाद्यैश्च नृत्यैश्च पुराणपठनादिभिः । स्तोत्रैर्वाराधयेद्देवं व्रतकृत्सुसमाहितः ॥ ८ ॥
gītairvādyaiśca nṛtyaiśca purāṇapaṭhanādibhiḥ | stotrairvārādhayeddevaṃ vratakṛtsusamāhitaḥ || 8 ||
بالأناشيد التعبدية، وبالآلات الموسيقية والرقص؛ وبقراءة البورانا وما يتصل بها من تلاوات مقدسة؛ وبتراتيل الثناء—على من يلتزم بالنذر أن يعبد الرب وهو ساكن القلب، جامع الذهن، كامل الانتباه.
Narada (teaching in the Narada Purana dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches that a vrata is not only a rule-bound observance but a concentrated offering of devotion—expressed through kīrtana (song), vādyā (music), nṛtya (sacred dance), Purāṇa-recitation, and stotra—performed with steady, gathered attention.
Bhakti here is presented as multi-limbed worship: heartfelt praise (stotra), congregational or personal devotional arts (gīta, vādya, nṛtya), and śravaṇa/paṭhana (hearing/reading Purāṇas), all unified by inner samādhāna (mental composure).
The verse emphasizes practical ritual discipline (vrata-vidhi) and scriptural recitation (paṭhana) as a structured practice; while not naming a Vedāṅga explicitly, it aligns with correct recitation and liturgical performance typically supported by Śikṣā (phonetics) and Kalpa (ritual procedure).