Bhāgīratha’s Bringing of the Gaṅgā
हिरण्यरेतसे तुभ्यं नमो हिरण्यवाहवे । नमो ध्यानस्वरूपाय नमस्ते ध्यानसाक्षिणे ॥ ८७ ॥
hiraṇyaretase tubhyaṃ namo hiraṇyavāhave | namo dhyānasvarūpāya namaste dhyānasākṣiṇe || 87 ||
السجود لكَ يا من جوهركَ المُولِّد ذهبي؛ السجود لكَ يا من تحمل وتنقل الإشراق الذهبي. السجود لكَ يا من أنتَ صورة التأمل ذاتها؛ السجود لكَ يا شاهد كل تأمل.
Narada (stotra-style praise within the teaching context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It identifies the Supreme (Vishnu) as both the luminous creative source (“golden essence”) and the inner consciousness that witnesses meditation, guiding the seeker from devotion to direct realization.
Bhakti is expressed as reverent salutation to the Lord’s divine attributes—radiance, creative power, and inner witness—so the devotee’s meditation becomes God-centered rather than ego-centered.
Mantra-prayoga (practical application of sacred utterance) is implied: a structured namaskāra-stotra used as a dhyāna-aṅga (limb of meditation) to steady attention on the deity’s svarūpa (essential nature).