Maṅgalācaraṇa, Naimiṣāraṇya-Sabhā, Sūta-Āhvāna, and Narada Purāṇa-Māhātmya
नरो यः सत्कथामध्ये संभाषां कुरुतेऽन्यतः । स याति नरकं घोरं तदेकाग्रमना भवेत् ॥ ७३ ॥
naro yaḥ satkathāmadhye saṃbhāṣāṃ kurute'nyataḥ | sa yāti narakaṃ ghoraṃ tadekāgramanā bhavet || 73 ||
مَن كان في أثناء السَّتْكَثا (الحديث المقدّس) ثم انشغل بحديثٍ جانبيّ مع غيره، يمضي إلى جحيمٍ مروّع؛ فليكن الذهن إذن واحدَ التوجّه، منصرفًا إلى السرد المقدّس.
Sūta (narrator) conveying the teaching within the Narada Purana discourse-tradition
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: shanta
It treats sacred listening (śravaṇa) as a disciplined spiritual act: disrupting satkathā with idle talk is presented as a serious dharmic fault, while one-pointed attention is upheld as the proper inner posture.
Bhakti is strengthened through focused hearing of sacred narratives; the verse implies that devotion is not casual entertainment but reverent śravaṇa requiring ekāgratā, which protects the mind from distraction and disrespect.
It highlights practical discipline of recitation/hearing culture (linked to Śikṣā—proper conduct around sound and sacred instruction): maintain silence, avoid cross-talk, and attend carefully so the teaching is received without distortion.